Rutheford examines the work of feminist animators Lucinda Clutterbuck, Sarah Watt and Elisa Argenzio and their concern about the connections – historical, empirical, theoretical, symbolic and experiential – between the domination of women and the ...
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In his revealing article, Mullins examines recent readings of Stanislavsky and their applicability for reading and interpreting film scripts and working with actors....
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‘Through a detailed sound analysis of ‘The Lord of the Rings: The Fellowship of the Ring’ (Peter Jackson, 2001), this paper seeks a sonic understanding of cinematic place. Drawing upon the concept of ‘architecsonics’ devised by leading sound scholar ...
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With over thirty years of transmission to audiences often ignored by the mainstream, Brisbane community radio station 4ZzZ has a lot to celebrate, reflects station volunteer Emma Carroll.
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‘“Australian Rules” is one of four films dealing with the subject of reconciliation that was commissioned by the Adelaide Film Festival 2002 in collaboration with SBS Independent. This film is an adaptation of Philip Gwynne’s novel ‘Deadly Unna?’. It...
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‘John Hughes trained as a cameraman with the ABC before turning to the world of independent film-making where his documentaries have been remarkable for their social and political content as well as their stylistic and visual experimentation.’ An in-...
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This articles features three perspectives on the Aussie mobster comedy ‘Dirty Deeds.’ Salomon discusses how the film was produced on such a small budget with production designer Chris Kennedy, Ryan interviews Bryan Brown about his involvement as a pr...
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Aoun investigates the new video game ‘Grand Theft Auto: Vice City’ in which a player can create a gang war, travel around a fully immersive city, jump out of their car and decapitate someone. ‘A game like Vice City might be able to turn on many more ...
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Noel King talks to film and literature critic Michael Wood about Bunuel’s ‘Belle de Jour’, Gabriel Garcia Marquez and the art of intelligent criticism....
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‘This article should be unnecessary. Its goal is to finally kill the old furphy that the majority of feature films of the Australian film revival from the 1970s onwards were nostalgic recreations of the past.’ Ina Bertrand investigates and defends th...
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‘Darlene Johnson talks about some of the difficulties she faced in attempting to make a documentary that would do justice to an Aboriginal sensibility, specifically to the humour, the vigour and the complexity of David Gulpilil.’...
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‘If a film ever causes the overthrow of a government. you can be sure it won’t be something starring Tom Hanks. It will be something with sharp teeth and manic energy, something relentless, something that will not stop until it has eaten your brain. ...
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Lisa Bode examines the aesthetic complexity of Chris Lilley’s work and questions how his comedy operates. What are we encouraged to laugh at, and how does he manage to circumvent and negotiate taboos and rules of representation?
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A frank and in-depth discussion between playwrite Louis Nowra and director Rachel Perkins about the financial and artistic struggles involved in turning ‘Radiance’ from a play into a feature film....
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‘The schizoid sequel to last years “Fellowship” is an intermittently resplendent affair, despite a waterlogged middle passage. The battles are grand and operatic and for the most part it outspaces it predecessor. New Zealand helmsman Peter Jackson is...
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‘“Lovesick” is the challenging and brilliant new film from independent, Melbourne-based film-maker Bill Mousoulis, a self-financed feature that deals with “l’amour fou”. In it, a couple (played by Clay Ravin and Holly Marshall) leave their office job...
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Carly Millar reviews Cathy Randall’s coming-of-age film Hey, Hey It’s Esther Blueburger (2008). Millar writes that the film is pitched as a black comedy but that at times it stretches credulity, and that while Esther is not always a sympatheti…
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Is it really worth slaving over that screenplay? John Nicoll looks at the reality of getting a script up in Australia and ponders whether a good script is really the key to a film’s success.
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‘While ‘Rain’ (Christine Jeffs, 2001) is a film overtly steeped in New Zealand culture and landscape, from one perspective it is not a typical New Zealand film but a European style ‘art film’. Its emphasis on the psychological rather than the physica...
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‘Interest in popular Indian cinema, commonly known as Bollywood, and its global culture has literally exploded. What was once purely the domain of the diaspora of non-resident Indians ... is now distributed globally and available for Melbournians to ...
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